skip to content

Considerations for Dual POV

This is not a how-to article. You’ll find no prescriptions here. This is just an investigation of some of the artistic choices you might consider in creating a dual-POV story. If you’re writing dual POV, then you’ll have some decisions to make about how the characters come together, when they come together, and what exactly they share.

Varieties of Omniscience

Using an omniscient narrator? It may help to be aware of these two dimensions, which account for the varieties of omniscient approaches.

Exposition in Dialogue

You can deliver exposition via dialogue, but you have to finesse it a little. Here we discuss how you can disguise exposition so it doesn’t feel contrived.

Earning Story Events

Earning story events means paying attention to three types of context (deep, situational, and immediate) as well as giving the character time to arrive at a response.

To Filter or Not to Filter

What is filtering, what’s the rationale for avoiding it, and in what situations might you want to stick with it?

Writing Character Emotion

Robert Olen Butler describes 5 ways the people express emotions. Writers can use these expressions to help build better character interiority. Here, his 5 expressions and an accompanying journal exercise.