The Essentials of Orienting Your Reader
In film, orientation is almost immediate. In prose, oreintation requires ink. Here are some guidelines for what orientation the reader needs.
Subjective Conflict
The idea behind subjective conflict is this: the reader can sometimes experience conflict even when the characters in the story don’t. This week’s article appears at DIYMFA.
3 Techniques for Creating Tension
Let’s talk reader engagement. A writer can create tension and hook readers through three situations: mystery, suspense, and dramatic irony.
